ILLUMINATION: Dimensions / Degrees – Da Vincis Last Supper And The Philosophers Stone

DIMENSIONS / DEGREES

Within the teachings of the ancient mystery schools, one of the most important founding teachings, is a system detailing a sequence of DIMENSIONS or DEGREES

A system which is directly relative to the founding processes of all creation and the formation of all the various torus, spheres, or cells within the physical world

Which also aligns to the very numbers we use to quantify our understanding of the world, and the hidden deeper original “sequential” meaning of the symbols we use for those numbers

Which by such, also defines and quantifies our very ability to consciously perceive and actively reflect “mind” within such a world

A precise, incrementally expanding sequence, which is directly relative to the expansion of the physical universe. Which we call NUMBERS

Which is followed by the counter, contracting algorithmic sequence, which is directly relative to the increasing complexity of aggregate matter and life, that we call LETTERS

Within my Illuminated mystery school tradition, we refer to these sequences as:

THE PRIMARY SEQUENCE – NUMBERS
THE SECONDARY SEQUENCE – LETTERS

The Freemasons have their own versions of the ancient degree system, which seems on many levels to have comparable meaning to the understanding of my own particular order and tradition. To the point where it seems highly likely they originated from a common source

I say “seems” because though the Sinai tradition and Freemasonry seem to have a common source on many things, I should make it clear that I am not a Freemason, and therefore, I am speaking only from the perspective of my own tradition and understanding

Many of you would have seen me detail the deeper meaning of these symbols and sequence before. Including how it aligns to the symbol commonly referred to as THE PHILOSOPHERS STONE

The purpose of this thread, is to share how the primary sequence is illustrated within LEONARDO DA VINCI'S PAINTING - THE LAST SUPPER

To begin with, I will give you the dimensions/degrees as they are known and taught within my tradition

THE PHILOSOPHERS STONE

1ST SPHERE
1. INTERNAL
2. EXTERNAL
3. DIRECTION

TRIANGLE
4. WIDTH
5. DEPTH
6. HEIGHT

SQUARE
7. FORWARDS (EXPAND)
8. BACKWARDS (CONTRACT)
9. LEFT (TURN INTO)
10. RIGHT (TURN OUT FROM)

2ND SPHERE
11. INSIDE
12. OUTSIDE
13. IN-BETWEEN

LEONARDO DA VINCI - THE LAST SUPPER

Leonardo Da Vinci – The Last Supper (original)

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Within image 13 you can see:

(13) FEMALE (MARY) is leaning outwards from her MALE EQUIVALENT (1) and EXTERNALISING
(11) MALE is leaning inwards INTERNALISING

The heads of (11) MASCULINE and (13) FEMININE come together as 2 HALVES OF A WHOLE

Which is counter to:

The outwards lean between her (13) FEMININE half and her externalised MASCULINE (1) half

Which is also counter to:

The space between internal (1) MASCULINE and his external MASCULINE (2) reflection

Likewise, as (3) create space between (1) and (2), so too is (12) pushed outwards by the coming together of (11) and (13)

The system balances internally and externally, within a CYCLE / CHRIST

Within the relationship of this it is important to remember that MASCULINE "JESUS" and FEMININE "MARY" are TWO OPPOSING POINTS WITHIN THE SAME CYCLE

IF JESUS IS THE BEGINNING OF THE CYCLE/CHRIST, THE MARY IS THE END OF THE CHRIST/CYCLE

The BEGINNING and the END of a CYCLE/CHRIST must come together and be recognised as one

Because one, without the other, could not/would not be able to exist. In much the same way that women would not be able to exist without men, or men without women

We would have no ability to perceive internal and external, and as such we would have no ability to perceive direction, or reflect upon ourselves

There could be/would be no dimensions, time or space, without the meeting of masculine and feminine, coming together as one within cycle

A good way to explain this, is using the keys of a piano to explain tonal increments

You will see on the piano keyboard above, there are 12 UNIQUE TONAL INCREMENTS IN AN OCTAVE

7 FULL TONES
5 SEMI TONES
12 TONES TOTAL

Although an octave, by definition of the name is said to be 8 full tones, we need to take into consideration that the 8th note in the octave is the same as the 1st, merely an octave higher

Therefore, technically, an octave actually only has 7 unique full tones. Or 12 tones total, if you include semi-tone increments

Within this we see a visual representation of the 13 primary dimension/degrees of perception, relative to tones of an octave. 12 unique tones, with the 13th tone being a return of the (cycle/Christ) to the 1st note

These increments are personified within the Bible, as well as in the the last supper painting as the "12 disciples"

These 7 full tones and 5 semi-tones specifically, are detailed within the book of Revelation, which when correctly translated, is a book about frequency and spectrum

Revelation 17:10
They are also seven kings. Five have fallen, one is, the other has not yet come; but when he does come, he must remain for only a little while

Translation:
There are 7 tones, with 5 semi-tones between them. The next note after this (the octave “8”) is the same as the first, which begins the next cycle

Within REVELATION:

THE TWO WITNESSES
Harmonious frequency

THE TWO WITNESSES KILLED AND RAISED
Major and Minor harmonious frequency

THE MARK OF THE BEAST
Frequency (Measure)

THE BEAST OUT OF THE EARTH
Timing (Interval)

Such as with the set-square and compass surrounding the G in the Freemason symbol

Which is no different to musical notation (such as treble clef "G"), written over a time signature denoting 4 beats per measure, from a particular given tempo

The reason that these principles found in music are so important, is because the structure of all spectrum of frequency act in exactly the same way as that of the sound spectrum

Light, physical matter ... everything

Everything is formed under the same layered structure (or seals) of frequency. Which keeps them both separate and together, within cycles of equilibrium frequency

As is shown in the last supper

I have only started going into the coding within this painting today. So this is as far as I have gotten

There does also appear to be deeper meaning within the items placed upon the table, possibly related to math and physics

I will try look this deeper at a later date, once I have been taught its relevance